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[post-rock, prog-rock] (2017) Schnellertollermeier - Rights [FLAC,Tracks] {100.XY}

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(2017) Schnellertollermeier - Rights


Review:
Clarity. Attitude. Skill. These really aren’t qualities that define
our present time. All too often, our ephemeral reality finds itself reflected in a jittery retro-music that sucks its
data from the Cloud – that atomised archive accessible to all. 
Schnellertollermeier’s fourth album,
released by Cuneiform Records, is their reply to all this: Rights, and it offers ample demonstration of their own
clarity and ability. Rights comprises four pieces, every one of them inscribed with radicalism. Each is built on just a
few ideas and develops out of them until it sounds like a Cubist work of art that seems to gaze out from the most varied
of perspectives, but always in the same direction. 
Schnellertollermeier still has its original line-up: Andi
Schnellmann (bass), Manuel Troller (guitar) and David Meier (drums). These three musicians attended jazz schools in
Switzerland and Scandinavia and have been working together as a band for more than ten years. And although they today
live in different towns in Switzerland, their collaboration is even more intense than in their early years. After Holz
(2008) and Zorn einen ehmer üttert stem!! (2010) it was above all their third album, X (2015), their first release on
Cuneiform, that took the band onto a different level, both in compositional and career terms. Whereas
Schnellertollermeier had until then played some 20 concerts per year, today it’s 40. X was named one of the 12
most important records of the year by the Wall Street Journal, and the trio went on tour in the USA, Great Britain,
Russia and the rest of Europe.
You could say that Rights is the result of this process of consolidation.
Schnellertollermeier has an immense presence – that’s the first thing you notice. Initially, you only hear
concise, repetitive patterns, but you can already feel their powerful energy while performing, their will to play out
and not to yield to any ceremonial, reductionist modes. The pressure is high, their concentration levels too, and their
energy levels aren’t a sudden spasm but a prerequisite. This music is complex, but never so much so that the band
couldn’t play it with something in reserve. That keeps their music open and free – for themselves, and
also for those who hear it. Schnellertollermeier is never brash. They regulate the intensity of their sound with the
highly controlled nuances of a precision engineer handling thumbscrews. They never discharge an impertinent punch
– instead it’s outstretched, held out, and offered up.
This new album was made in 2016 during the
band’s residency at the cultural centre “Südpol” in Lucerne. Schnellertollermeier composed and
rehearsed in the different rooms of the house, and presented their interim results in a series of concerts. They
sketched out their material, adapted it, took it apart, and blew it up. This was an intentional dissolution of all
boundaries for purposes of concentration. The stress test of playing these pieces live helped to make them better: not
because Schnellmann, Troller and Meier paid particular attention to what people said after their performances, but
because they themselves noticed on stage where the new tracks felt good and where they didn’t. Thus the four
pieces on Rights developed over five months and eight concerts before they were all recorded on the spot. Two or three
finished tracks were dropped; what remained was “Rights”, the title piece, “Piccadilly Sources”,
“Praise/Eleven” and “Round” – four pieces ranging in length between 6 minutes 58 seconds,
and 13 minutes 20 seconds.
If we compare Rights with the earlier albums by Schnellertollermeier, it is immediately
apparent how little it sounds like improvised music or “jazz”. In others of their many bands, Schnellmann,
Troller and Meier still regularly play that kind of music with abandon. But here, we detect their expertise in jazz and
improvisation primarily in how they take a rock riff in “Piccadilly Sources” and twist and turn it around,
or how, in “Praise/Eleven”, these three musicians turn high, diaphanous sounds into filigree sculptures like
freely hovering mobiles. Then there are times when the band sounds like a classic power-rock trio – but one
that’s not merely a platform to showcase three soloists. No, Schnellertollermeier is a morphing organism. There
are no solos here, no show-offs, for their sound remains that of a straight-up-and-down band. They move through minimal
patterns and ambient zones, they build up into brutal rock and arrive more than once on the dance floor with a kind of
nimble, danceable headbanger music.





Tracklist:
01 Rights.flac
02 Piccadilly Sources.flac
03 Praise -
Eleven.flac
04 Round.flac


Summary:
Country: USA
Genre: jazz, post-rock, prog-rock 


Media Report:
Source   
                       : CD
Format                           : FLAC
Format/Info                      : Free
Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit rate                        
: ~ 830-1000 Kbps
Channel(s)                       : 2 channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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